jack897324
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Location: England
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 Posted: Fri 12:08, 25 Feb 2011 Post subject: journey wharf migrate beijing 9 |
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constantly referred to in English for the "Little Potala". The aboriginal access to the triple was through a bridge across a moat which is now a vegetable garden. Two stone lions guard the front door which opens into a paved courtyard with a stele pavilion.This chapter of the temple is in Chinese style. Behind is the Five Pagoda Gate, a whitewashed Tibetan-style establishing with red false windows, overcame by five pagodas each of a another color.
Two finely carved elephants in front are shaded by antique pines. The five pagodas represent the five schools of Buddhism, and the elephants represent the Mahayana school. The prim symmetry of Chinese temple architecture is at this point abandoned, though there continues to be a north-south orientation of the main buildings. A airing route follows the contours of the steeply-sloping site up to an elaborate Chinese-style commemorative arch in green and yellow glazed tiles.
In front of the arch are two stone lions,cruise port transfer beijing, representing secular authority in Buddhism. Between the arch and the Great Pied Platform at the summit namely an abnormal sequence of Tibetan-style whitewashed platform erections in manifold shapes, several storeys tall and sol.id among. From front to back, the 1st has 5 pearly dagobas,map of xingang, the second has a Chinese style wooden bell-tower, the third has a unattached pearly dagoba and others equitable have flat roofs.
A platform building to the west has an attached Chinese-style courtyard which now houses some of the arhat sculptures from the sometime Luohantang. The informal layout of these buildings arsonist the trees, grass and rocks creates a natural, peaceable air,port of tianjin, in contract to the imposing presence of. the Great Red Platform backward.
Towering over the buildings under, the Great Red P1atfor ml stands 43 meters high, and is modeled after the Red Palace of the Lhasa Potala. The six-storeyed red upper building rests on a white stone b:ase 3 storeys high,distance beijing xingang, decorated with red false windows. In the centre of the facade of the upper platform is a vertical row of six glazed Buddhist niches, representing the six decades of Qianlong's life.
Hidden from view within the high ruddy walls of the platform is the main lobby, the Wanfaguiyidian (Hall of A11 Laws Belonging to One). Formerly it was ringed at variously shaped three-storeyed buildings which have immediately been demolished. The Wanfaguiyidian was the scene of religious ceremonies to commemorate the birthday of Qianlong's mama and it was also here that Qianlong received the Torgut king.
Formerly a picture of Amitayus embroidered with gold thread accustom to hang here, but it was stolen by the warlord Tang Yulin. Now there are two "Longevity pagodas" on either side of the altar,xingang to beijing, made of red sandal wood with ten thousand symbols because "Longevity" carved on them. One is in needy condition. The bodhisattva statues approximately the walls were brought in from elsewhere.
The Xumifushou'rniao (Temple of Sumer Happiness and Longevity) A close adjoin to the eastern of the Putuozongchengrniao, the Xumifushoumiao is similar in structure and only slightly less imposing in size. On Qianlong's seventieth birthday in 1780, the Sixth Panchen Erdeni came in human to Chengde to attempt his congratulations. In glory of his visit, Qianlong mandated the construction of this Panchen's lamasery in
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